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STARDOM
Exhibition’s station man
Voyeurism’s dancer girl
Met by chance on Platform’s ban
Breaking through the Crowd’s control
Looking out on Place’s past
Crooked Stallion’s took them fast
Suckled off to Actor’s cast
Dressed to kill with Ceiling’s fan
Paparazzi’s public swirl
Taking Innocent’s, "At last!"
This they knew and knew it well:
No one left the tale to tell.
~ D. Edgar Lamp (Novel Rhyme Scheme)
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ONE ON ONE
There's always a story beneath the face,
The look on the lookers is not what it seems,
The rules of estrangement will not erase,
One guilty acquitted with masterful grace,
One innocent hung from the beams.
There's one in a million who chisels fear
And answers the mask of the hider no more,
Who steps from the crowd with a piercing leer,
One innocent fist that refuses to hear
One guilty unlocking the door.
~ D. Edgar Lamp (Quintain Stanza)
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ARIZONA SCROLL
I own a piece of Arizona,
The easy piece I took to ride,
A narrow strip of Arizona,
Only seven inches wide.
I rolled it up for when I'm older,
To play the memory of that day,
A shoulder soft for when I'm older,
Riding off in dreams away.
Written while riding through Arizona doing a "Saddle Sore 1000."
~ D. Edgar Lamp (Ballad Meter)
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THOUSAND MILE RIDE
The full moon's rising on the open road
My bags are packed, my treasures stowed
My tank is full of golden fuel
The midnight sky is clear and cool
For a thousand mile ride.
My engine's tuned to a fine refrain
My headlights beam through the dark terrain
I've left behind the bleak and bland
To stretch my wheels across the land
For a thousand mile ride.
My riding boots are laced up tight
My helmet's snug and feels just right
The folks back home are safe and sound
I'm flying two feet off the ground
For a thousand mile ride.
I'll just be gone a day or two
To catch a glimpse of a wider view
It's hard to tell what I might find
But I'll be back with peace of mind
From a thousand mile ride.
Written while riding out of California doing a "Saddle Sore 1000."
~ D. Edgar Lamp (Quintain Stanza)
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BEYOND REPAIR
If you should find me crumpled in a heap
Beyond repair and very nearly dead,
My words erased by quickly coming sleep,
Please whisper gently as you hold my head
And tell me something I might want to know
Like, “Please don’t worry now, & please don’t dread.”
Remind me that this world is not my home
And soon with Jesus I will ever be;
Then dial 9-1-1, but do it slow.
Come ride along in back, and stay with me,
And if you would, please softly sing a hymn
Like “Morning by morning new mercies I see.”
And don't you cry; no sense in getting grim.
Just stay with me, and pray with me, and tell
Me all about the shining Seraphim
That soon will carry me to where they dwell
In feathered flight, no time to stop and grieve;
Hello, hello, and never more farewell.
~ D. Edgar Lamp (Terza Rima)
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AWAY
A sharp and fancy jackknife jewel
She perches prim upon her stool
With leggings crossed she plays it cool
As all the boys confused with pain
Refreshed by her sweet dazzling rain
Keep circling circles round in vain
Not really knowing what they want
In jest and swagger nonchalant
While she with lonely-hearted flaunt
Just wishes one would stop and stay
And scoop her up in love's display
And walk her out the door—away.
~ D. Edgar Lamp (Rhyming Triplets)
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THE AMPHIBIOUS FLIER
I see a ship come sailing in,
A sculptured frigate long and thin;
Her body’s carved like a violin,
Her timbers tall
With windmill blades that spin
The blurring squall.
The gale blows hard and strong,
But lightly like a nursery song
The shining schooner flies along
Approaching land
As if terrestrially her wheels belong
Upon the sand.
And as I watch, she leaves the seas
To skim the beach and onward flees
Before the ever-chasing breeze;
A chariot now
Seduced along by unseen steeds
Before her prow.
Across the countryside she goes,
Her motion serpentinely flows
As deep within her neck their glows
A brightening flame
Of blooming energetic rose
That none can tame.
And as I watch, her sterns ignite,
Her double sterns now rocket bright,
Careening to a stellar height
In one swift arc;
And left behind her streaking flight—
A question mark.
~ D. Edgar Lamp (Burns Stanza)
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ACQUITTAL
I woke up late and walked outside
To take a look around.
Though nearly noon my cast-off pride
Still lay upon the ground
Just where I'd left it late last night
When first I let it go.
The look of it was thin and slight,
A latticework of snow.
I picked it up and tried it on
But it had shrunk so small,
I swallowed it with half a yawn
And one quick swig of gall.
I felt a wave within my chest
Of something leaving me,
A swift exchange of hornet's nest
For hushed tranquility.
~ D. Edgar Lamp (Ballad Meter)
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THE ASTRONAUT STRIPPER
The astronaut stripper confessed,
"My zero-gravity breasts
May flatten I fear
In the atmosphere,
So please let's get on with these tests."
~ D. Edgar Lamp (Limerick)
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REACH
I have eleven thousand verbs
That I can chose to Do.
I give the cue, the brain perturbs
The nervous system stew,
And all at once I'm doing just
The verb I thought about,
With no real time to think-adjust
Before the action's out.
But if I switch the mode to Speech.
Allowing just pretend,
When I say "reach" I do not reach
Though mental arms extend.
What is this act I did not do?
What difference did it make?
Is there a meaning to construe?
Is anything at stake?
~ D. Edgar Lamp (Ballad Meter)
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THE ALLERGIC NOVITIATE
The allergic novitiate Katherine Quinn,
Began her vow of silence again
Whenever she sneezed,
Falling down on her knees
Crying, "Bless me Father for I have sinned!"
~ D. Edgar Lamp (Limerick)
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ONE DIMENSION UP
Let's say for sake of argument
That like a map which signifies
A territory not itself,
This earth of ours beneath blue skies,
This habitat we call our home,
Is just a map of someplace else—
Some Kubla Kahn, some pleasure dome,
Just one dimension up the stair
From map to globe, and globe to there.
And if our supposition's true,
That This is just a map of That,
Then every stone and leaf and face
Is pointing off to where it's at,
An emblematic metaphor
Of some immense uncharted place;
Degrees of freedom to explore
Beyond our tethered flesh and bone,
A field of vision still unknown.
What follows then from this new view,
This paradigm of shifted scale?
How should we move toward this new light
From our topography of Braille?
How would a two-dimension man
Imagine climbing, jumping, flight,
Beguiled within his diagram?
If we would go, then let's begin
By asking God to change our skin.
For David H. Lamp & posted at www.cognidyne.wordpress.com
~ D. Edgar Lamp (Novel Rhyme Scheme)
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H2
It’s colorless, odorless, tastelessly bland,
But makes up three-quarters of all that’s at hand.
It’s solid by land, and liquid by sea;
You breathe it in you and I breathe it in me,
There isn’t a place where a Hydrogen’s not
No matter how cold, no matter how hot,
No matter how far, no matter how near
There’s even a Hydrogen stuck in your ear.
It’s made of just one tiny proton of stuff
And a speedy electron that give it some fluff.
Wherever you go you’ll find Hydrogen there,
And wherever there’s one, you’ll find it’s a pair.
~ D. Edgar Lamp (Rhyming Couplets)
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CONSTRUCTION 3: FLYING KEYBOARD
Unfold your laptop till it breaks in half,
Then burn the screen with Kerosene
And don’t feel badly if you laugh.
Then get a tube of gold, a tube of green,
And carefully on every key
Paint brand new symbols never seen.
Encrust the rest with reddish two's & three's,
Then left & right attach a kite
And fly it on a Florida breeze,
And keep it flying high by lantern light,
Between a calf & a giraffe
Until the middle of the night.
~ D. Edgar Lamp (Novel Rhyme Scheme)
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PROTECTION
Protection is the platinum I crave,
To stay the grief and chain the beasts of pain;
And if robust enough, to misbehave
Without a consequence to entertain;
Immunity from any poor result;
A place to thumb my nose as I exult.
If only pure impunity were mine,
A Teflon coating thick and slick as ice
That no contrived suspicion could malign,
No finger pointing out some minor vice,
But free & clear and sailing through the fray,
I’d glide the gauntlet’s maze like child's play.
Indemnify me, mollify me, stage
A coup d'état before they pick the lock
Of my encrypted antiviral cage.
Let none approach me, no one knock
Or tap or tamper with my crystal calm,
No agitator cockle my aplomb.
Protection is the platinum I choose
To thwart the silver rounds of circumstance,
That will not ever fail to always lose
While I outwit the sloppy rules of chance.
I’ll flirt with every game that can be swayed,
Completely safe within my masquerade.
~ D. Edgar Lamp (Venus & Adonis Stanza)
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STEERAGE
Hello there Captain Burton, Sir,
I never thought you’d stoop to this.
Why aren’t you topside wearing fur
And sipping bubbly, kiss by kiss,
With your propitious dilettante
Who surely knows just what you want?
I can’t believe you’d climb down here
Below the decks of decadence
To chew the fat and bend an ear
With all us bums-in-residence.
We tip our gallon jugs of rum
And take our women as they come.
~ D. Edgar Lamp (Daffodils Stanza)
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THE MANUSCRIPT
If only I could find the manuscript
I buried underneath the house last spring
Inside a freezer bag both locked and zipped
All strung up snug with fifteen yards of string
And duck taped thick with two full rolls of tape—
A silver bullet brick of dynamite
To blast a ragged crack for my escape
From Dawdle South to Northern Expedite—
I'd be the happy man I thought I'd be
When way back when I first imagined it,
And sweet significance would shine on me.
I'd have the very thing to set me free
To grant myself the laurels of legit
And humbly cede to my celebrity.
~ D. Edgar Lamp (Sonnet)
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FOLGERS FOREVER
A coffee cart somehow came loose
And started rolling down the street.
The guy in charge, Barista Bruce,
His latte loving Marguerite
All French and kissing him hello,
Was unaware until he heard
The homeless cowboy yelling, “Whoa!”
And saw the cart just crossing Third.
He left that latte loving mouth
And dashed down Main in tragic haste,
While overhead and flying south
A flock of geese no time to waste
Descended on that coffee cart
And lifted it with honks of glee
Like some surreal performance art
Ignoring Bruce’s frenzied plea,
“Come back you geese! That’s all I own!
That’s all I have for Marguerite!”
Just then he felt his mobile phone,
It was a tender touching tweet
From his true love just two blocks back.
Her text went, “Darling, don’t you fret,
For kissing French, you’ve got the knack,
There’s always money we can get.
But what we’ve got cannot be bought.”
The second tweet, “I’ll marry you,
If you’ll just bring a coffee pot;
I’ve got some Folgers we can brew.”
~ D. Edgar Lamp (Ballad Meter)
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THE DROWNED CATHEDRAL
Adrift in my craft on the after-storm ocean,
The clouds have departed, the moon's nearly full,
While Betelgeuse, Bellatrix, Rigel and Saiph,
(The limbs of Orion) unmoved by the motion
Of little disturbances, tiny distortions,
From where their important celestial events,
In sync with the turning of seasonal shifts,
Hold fast to their golden indwelling proportions;
I suddenly find in a moonlit enchantment
The sunken cathedral immersed in the flood,
My eyes disbelieving, my mind welling joy;
I've found the safe harbor, the place of pure moment,
Unsinkably solidly founded on something
Akin to the four in the heavens above—
A cross in the sky with a Trinity nave,
A cross in the sea with the power to save.
Inspired by M. C. Escher's "The Drowned Cathedral", Woodcut, 1929
~ D. Edgar Lamp (Novel Rhyme Scheme)
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SOMETHING SLOW
Dear God, Your majesty, Your highness stands
Much higher than
The orders of our ego-smitten world
In self so curled
That not unless You cut us free, unwrap
Our arms that strap
Our selves within ourselves all tethered sick
Of living quick...
We long for something slow and pure and true
Like loving You.
~ D. Edgar Lamp (Rhyming Couplets)